Skip to Content

Small Logo for S.E. Gordon

My Writing

Writing Tools

Fun with Words

Famous Quotes

Classic Literature

DVD Easter Eggs

Cheat Codes

Programming

ColecoVision

Today is Wednesday,
March 10, 2010
2:51 PM EST

Random Joke

What kind of coffee was served on the Titanic?

Sanka.

What I Learned About Writing 2010

Discoveries in the Writing Process

The "What I Learned About Writing" series is an online writing journal where I explore all facets of the writing process. It is intended as a tool to keep me producing and help me navigate the rough waters of content development. At the end of each year, I will compile the collected wisdom into volume that will be published here on this site.

Please keep in mind that much of the following is a work in progress. In order to be true to my thoughts, I've reeled in the inner-editor.

Bookmark and Share

A Novel Idea - One Sentence at a Time

Wednesday, February 10, 2010 10:00 PM EST

Old Book - Photo by Anna CervovaOk, this is going to sound totally insane, but bear with me. I'm going to try out a new approach to writing a novel. Consider it an experiment, a curiosity. Rather than make excuses, I'm going to write a manuscript--one sentence at a time. Progress is measured by the number of sentences I can add each day. The minimum is one and everything afterward is a bonus.

Sure, it sounds hokey. I mean really--how will I ever finish a novel by writing that slow? For starters, this doesn't give me an excuse to procrastinate. Writing one sentence per day is obtainable for everyone, even the busiest of people. Better yet, there's a possibility that I might start taking bus trips into D.C. and this would be an effective use of my time.

In short, this is the answer to a potential problem I have (but a nice problem). And besides, why not? I have nothing to lose. Why not profit from the experience? Besides, I'm sure I'll have plenty to share as a result.

Word Count: 176

Add Comment >>

What I Learned About Writing 2010: Taking Breaks

Saturday, February 6, 2010 3:00 PM EST

PensWhen it comes to taking breaks, I am the absolute worst. I continue grinding away until I can no longer look at the screen. I turn off the computer. I hide all my books. And I don't even think about writing for another day or two.

So how do you balance this? That is the age-old question. I can only say that I am getting better at this, but only marginally so. I believe the answer lies in setting clear and obtainable goals. Your mind needs a beginning and an end, just like a book. From what I've found, if my mind doesn't see an end in sight, my productivity wanes. I work longer hours and get less done. And somewhere along the line, there's a total brain freeze.

Another factor is progress. If you perceive that you are making headway and can see the end, you'll want to work longer and harder. Again, this ties into setting realistic goals. Can you really complete this task in a day or two? If not, break it up, and then give yourself one as well.

There are several different types of breaks and each has its own advantages. Short breaks typically last between 5-10 minutes and are certainly no longer than 30. We primarily think of these as bathroom and snack breaks, but they could also be used effectively during long writing sessions. Try writing for an hour, and then lay down for ten minutes. Completely relax your body and mind. Once those 10 minutes are up, write for another hour. This is basically a power nap, but it can work wonders for your energy level (just don't accidentally fall asleep and wake up the next morning). If you feel sleep is a bad idea, try taking a light jog.

When taking a medium-sized break of one to two hours, be careful not to stop writing altogether. It's easy to get caught up in the day and throw your manuscript by the wayside.

But you can avoid this.

Give yourself an ultimatum. Tell yourself that you can only be away for a certain period of time--let's say a maximum of three hours. Then it's back to work! Georges Simenon, one of the most prolific authors in history, imposed an internal deadline of 48 hours. If he was away from his work any longer, he discarded everything he had written. At times he'd throw away the better part of a novel. Certainly I'm not advocating this approach.

It is also helpful to alternate activities. Schedule a two-hour block of time to write, followed by an hour of research, 30 minutes of organization, and then write again for another two hours. At the end of your day, reward yourself with a movie. Or chocolate ;)

We take long breaks when we sleep and even longer ones when we fall into a coma. Such can be the effect on your writing too. It's hard to muster the same enthusiasm when the idea is no longer fresh. That's why it's better to keep producing for a designated period of time so that your work can harnesses all of the initial excitement. Leave long breaks for work, sleep and family, but nothing else. When you're in the middle of a project, honor your commitment. See it through and then reward yourself with a little vacation afterward.

I know what you're about to say--this is only a generalized view of how to manage one's time. But let's keep things simple, really simple. Everything discussed above can be boiled down to this--take a break when you need to, not when you can. Get in the mindset of starting and finishing tasks and reward yourself afterward.

Certainly things come up. Life happens. Do you have a strategy when it does? Conversely, you cannot be expected to write 16 hours every single day. You'll go insane. Find the proper balance and you will unleash your true potential.

Word Count: 659

Add Comment >>

What I Learned About Writing 2010: That Magic Minute

Tuesday, February 2, 2010 10:00 AM EST

Photo of a pen on a book provided by www.photos8.comA minute of your time is not just any minute. It is the taste of what could be if you had many more. It is a launching point, your war cry, or that final bit of polish. It is your magic minute, every minute of every day. And it is yours to do with as you please.

You can use it to succeed or to fail--the choice is up to you. But if you do not choose, you will certainly fail.

How will you invest your magic minute? How are you using it right now?

Word Count: 96

Add Comment >>

What I Learned About Writing 2010: A Faery's Musings on Writer's Block

Sunday, January 24, 2010 00:00 AM EST

Arctic Landscape

And so the faery whispered, "Just write. Write until you can no longer see the words. Listen to the song within you. It may be elusive at first and indeed you may fill many pages before it finally comes out, but give yourself over to the adventure and it shall unfold before you."
"Surely you need a plan," I took off my glasses. "Without a solid structure the words just fall apart. Babble it becomes—unfocused, wayward babble."
"And what do you call this scribble scattered about?" she said, snapping up a few scraps of paper from my desk, then others from the far end of the room.
"Foundation," I replied.
"Surely structure can be found here," the muse tossed the notes into the air and incinerated them. "Structure without a soul."
"Why in the blazes did you do that?" I growled. I wanted to rip those ivory pink tails from her skull.
"If you truly believe your words have soul, then it should be able to take the form of it's choosing. Such is the way of the faery folk," she swooped to within an inch of me. "Humans frequently have trouble with this."
"Fine, we'll try it your way," I snatched a feather from my desk and blotted it with ink. "What should we call this little escapade?"
"Whatever you want."
"Let's call it ‘On Faeries and Fowl Intentions.'"
"If you wish," she replied.
"Or ‘How The Faery Flogged Constable Whizzlepop.'"
"See. Wasn't that easy? You've already taken the first step."
"First step?" I tossed the feather aside. "That was all nonsense. I just did it to entertain that warped little brain of yours."
"Or entertain a possibility."
"Rubbish. All I did was expel it from my mind."
And then it hit me.
That was the point all along.
"The first step," said the faery, "is to clear your mind."
I gritted my teeth together. She was right, of course. There was a certain magic in letting go of the words; of not holding them in too long. Instantly my mood lifted, and as promised, the words began to flow—to such an extent I could barely keep up.
"And who said you can't teach a human new tricks?" she winked and flew away.
Calamity, I named her then and there. And so the adventure unfolded...

Word Count: 388

Add Comment >>

Total Word Count: 1319

Subscribe To My Feed